the following guidance is designed to offer help to galleries, museums and other art venues who regularly use fine art handling in their premises. In fact union art handlers are a go to resources for many of these institutions both large and small. You can find handlers working across the sector in locations including museums, universities, galleries and other institutions that have art collections and exhibits.
It is easy to see why there are a great number of benefits available for those who are working as part of a union in art handling. This job often requires physical labor and heavy lifting, and having the back up of a union is important. In addition, union members are able to benefit from the opportunity to train in safe and efficient transport and handling of valuable artworks, an essential skill in their sector.
In addition, the important issue of protecting artworks that may be extremely valuable or even priceless requires extensive training and experience to deal with appropriately. An organized institutions which allows handlers to train, to build their skills and to find jobs is of great benefit for union members and employers alike. To follow are some suggestions for how handlers are employed across the country.
In large cities which are known as art capitals there are ample jobs for handlers. Examples are New York City, Los Angeles and other locations where major museums and galleries find homes. It is not uncommon for art handlers to network through a community of like minded professionals in these cities.
The tasks that these professionals undertake are wide and varied. They may spend time packing and unpacking artwork when it has been shipped from one museum to another. In fact many museums regularly loan works to others for touring exhibitions.
The ability to pack works safely for travel and shipment is an important skill that requires much experience. It is important for protecting the museum or institution from the loss of significant revenue through damage during transport. Another area where handlers devote their time and skill is in installation.
This task may range from hanging paintings that are framed to installing very large sculptural pieces. Thus handlers must be knowledgeable about how to display artwork in a way that is safe for visitors. They often employ secure bolts and fixtures to keep artwork safely positioned while it is on display.
It is easy to see why with the varied responsibilities of art handling it is not uncommon for members to belong to a union. The union is able to provide support and help with problems arise as well as training opportunities. Many members regularly take advantage of the resources that unions offer on their websites such as listings of upcoming networking and skills building opportunities. For further tips on this topic check out some of the online and print resources aimed at art handling including blogs and magazines. The former often contain reader forums which are a popular way for those working in this sector to pick up tips and advice from others in the field. Trade magazines devoted to this career also offer a variety of practical articles.
It is easy to see why there are a great number of benefits available for those who are working as part of a union in art handling. This job often requires physical labor and heavy lifting, and having the back up of a union is important. In addition, union members are able to benefit from the opportunity to train in safe and efficient transport and handling of valuable artworks, an essential skill in their sector.
In addition, the important issue of protecting artworks that may be extremely valuable or even priceless requires extensive training and experience to deal with appropriately. An organized institutions which allows handlers to train, to build their skills and to find jobs is of great benefit for union members and employers alike. To follow are some suggestions for how handlers are employed across the country.
In large cities which are known as art capitals there are ample jobs for handlers. Examples are New York City, Los Angeles and other locations where major museums and galleries find homes. It is not uncommon for art handlers to network through a community of like minded professionals in these cities.
The tasks that these professionals undertake are wide and varied. They may spend time packing and unpacking artwork when it has been shipped from one museum to another. In fact many museums regularly loan works to others for touring exhibitions.
The ability to pack works safely for travel and shipment is an important skill that requires much experience. It is important for protecting the museum or institution from the loss of significant revenue through damage during transport. Another area where handlers devote their time and skill is in installation.
This task may range from hanging paintings that are framed to installing very large sculptural pieces. Thus handlers must be knowledgeable about how to display artwork in a way that is safe for visitors. They often employ secure bolts and fixtures to keep artwork safely positioned while it is on display.
It is easy to see why with the varied responsibilities of art handling it is not uncommon for members to belong to a union. The union is able to provide support and help with problems arise as well as training opportunities. Many members regularly take advantage of the resources that unions offer on their websites such as listings of upcoming networking and skills building opportunities. For further tips on this topic check out some of the online and print resources aimed at art handling including blogs and magazines. The former often contain reader forums which are a popular way for those working in this sector to pick up tips and advice from others in the field. Trade magazines devoted to this career also offer a variety of practical articles.
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